Zhou Fang
Chongqing College of Mobile Telecommunications, Chongqing, China
Abstract
Bazin's realist aesthetic concept establishes the ontology of cinema on three pillars: first, the potential of the world to be completely reproduced in film; second, the authentic presentation of time and space dimensions; third, the essential identity between the screen image and its real-world counterpart. It is for this reason that documentary films have acquired their unique "documentary character". However, in the subsequent evolution process, documentaries have gradually shifted towards the domain of feature films. Starting from Robert Flaherty's creative practice, elements of reenactment and reconstruction have increasingly permeated this genre. Documentaries have paid more and more attention to narrative arrangement and plot construction, and are no longer limited to direct recording and faithful reflection of the real world.
Keywords
- documentary film
- fiction
- narrative
Preview
References
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